The mythical summits.

Likewise, there’s little but bullshit to writer’s block. Oh, sure, there’re plenty of fears. And even more second guessing. Because knowing you’re forever defined by what you’ve written, for better or worse, is the only true story.

Hello and welcome, reader.

As always, it’s my pleasure to have you join me here.

Once again, I chose practice over pulling the hair, one at a time, from my head today. And have I said anything in the recent past about the cathartic effects of this terrible habit?

Well, if not, there you go. Were it me, I’d pat myself on the back for helping save what passes for a writer’s sanity, after reading this. And no, I didn’t name this page ‘The Practice’ by accident, either.

So, let’s get on with the show.

Did you see what I did last time out?

I call my prose style irony at arm’s length. And my guess is those who get it, do. There’s little point worrying over those who don’t.

Art is subjective, after all, be it literary, or otherwise.

Not only that, but for a writer, it’s either there or not. In the hands, I mean. If talent lives there, when you touch a pen or tap the keys, stuff comes out. That’s a gift. Near as I can tell, granted by luck of the genetic draw.

The rest, all you make from it, the clarity, grammar, style, blah, blah, is practice.

That’s also why the elder Sam Clemons told a younger Bruce Munro it was pointless for most writers to try writing novels until they were past thirty. Because, until you’ve been around long enough to see a few things, there’s little a writer can say. Of much interest to anyone but themselves, that is.

Here, I’ve always made what I like and shared the results. That’s the source of the weird label attached to me, and the stuff I make, too. You know, taste? No accounting for same? Viv la difference? Anyway, around here, what happens after I’ve written something must ever be of the least concern.

Because, well, art. Beyond that, integrity. See, a writer, like a man, needs a code, and when he adopts one, he’s bound to live by those terms.

And don’t worry, because the gig gets simpler once you learn to be is to do and vice versa. From there, get to work and forget about anything not important to one or the other.

Though I must say I enjoy few things more than when people show they’re picking up on what I’m putting down and buy my books. My banker likes that, too. Maybe even more than me.

But if you don’t have the stuff in your hands, well, then it’s not possible to either do or be. No matter how bad one might want it.

Because talent is an exception, not a rule.

In that way, talent is much like experience. When you have it, you know it, and everyone else does, too. And when you don’t, it’s impossible to hide.

Anyway, here, we don’t deny, for either better or worse, that perspective is based on where one stands. Be it now or then.

But having the luck to endure means bypassing the fond reviews of nostalgia. As a life reflected by the past isn’t just lucrative, it’s fixed.

Likewise, life is longest after a gold rush. Though without guarantees. So, that’s why I say the world, and life itself, far more than me, loves the irony.

What helps, in these parts, is a willingness to embrace my obsessions. Again, for better and worse, depending on perspective.

Lucky for me, art is nothing, if not individual. It’s an undying compulsion, too. But those who can’t deny this want must accept the deprivation that often comes with making it. Either that or quit.

After all, the world still needs ditch diggers more than writers. That’s what I’ve been told, anyway, and many times, too.

Besides, there’s something those who make stuff up won’t ever understand.

It’s a thing of great import to a writer. And those who want to be, as well. Because there’s an emptiness that comes with accomplishing a work. From which there’s no return. Once you get there, staring back, in profound silence, waits only the abyss.

From whose endless inanimate void whispers, too late, a warning. Of how the more you know, the more that remains to be known, and how most of that is forever beyond your ignorant writer’s grasp. Until, at last, emerges this heartless truth: all is vanity.

Imagination or song of the infinite? The choice is yours.

Likewise, there’s little but bullshit to writer’s block. Oh, sure, there’re plenty of fears. And even more second guessing. Because knowing you’re forever defined by what you’ve written, for better or worse, is the only true story.

That’s a secret you’d like to know earlier, too. I sure would’ve, anyway. Because it’s of little use after the fact.

Oh well. And there you go. Do with that what you will.

Here, we have published a new novel. In a few weeks, it’s available worldwide on Amazon. And the usual response to that, from these parts, is underway. At such times, my old man would say I was crazy as a shithouse rat.

He’d be right when he did, too. Like he was many times about his eldest son.

That’s also when, I say, a writer needs criteria. If hanging onto what passes for sanity is a goal, anyway. For both sets of results, too.

Because, in either case, there’s something to manage, said the voice of experience. Though I’ll say the one is easier to deal with than the other, all the same.

I mean, if you’re wondering, failure draws less of a crowd.

But coming off a win, even a relative one, is a scary proposition. And doing this means working without a net. Every single time. After all, in truth, the artist is the product, and likewise.

So, a well-developed sense of detachment from one’s work is a necessity. For without that, the whims of a crowd, no matter its size, soon replace the muse. And, from there, it’s but a short step to life as a caricature.

Thus, for this writer, I must separate the work from the man making it.

Even after decades of pulling it off, that one remains, for me, the most important trick this racket asks me to perform.

For though I am what I do, and what I have done is doubtless that which made me, there remains a distinction between one and the other. I won’t deny my better self, most times, lives in the works I’ve made, either.

I know that to be a fact. You should accept it, too. Because I write fiction.

My pursuit of the recluse’s lifestyle, meanwhile, is driven by a need to separate the writer from his subject. And, despite what I just told you about fiction, that too is a fact.

Or, at worst, the point of today’s practice.

Anyway, if I wasn’t looking to be judged, I’d have stayed on the farm. So, once again, here we sit, to wait on arrival of the latest words about our latest words.

Because there’s no sense in my denying that falling off the side of a mountain is worse with an audience. No matter how sympathetic.

What confounds me is an inability to stop climbing the damned things. After all, clouds of lingering reluctance have ever hidden their mythical summits from these eyes. Despite the near endless claims of seeking for them.

How’s that for irony?

From here, it sure looks like life can’t get enough of the stuff.

Of course, detachment could be an art form, too, and I haven’t yet figured that out. I mean, you can’t ever know how stupid you are. I read that somewhere, and it makes sense. Though, around here, it often looks like I’m just smart enough to figure out I’m not.

Anyway, I’m no Balzac, either, but brother Kenny Holmes always said a gig is a gig. I figure he had that near enough to right back then, and still does, too. And did I say to be is to dobedobedo? Or something much like that?

Well, to fans of irony, and me, too, it’s theatre of the absurd. And what I hope most is the curtain doesn’t fall anytime soon.

Because I still haven’t figured out the danged plot.

And thus ends the latest rumination. Or would calling this one fiction be a better fit? What about claiming it as literary insight? As usual, I’ll leave that to you.

Now, for the big news, which I’m thrilled to share.

So, join me in welcoming my eighth novel ‘A Whippoorwill Called’ available worldwide Tuesday, April 15th, 2025, on Amazon. It’s a pleasure to share this one with you, and I believe fans of good storytelling will enjoy the tale of Charly and Jed Bedford. For a sneak-peak, click the URL below here.

https://www.amazon.ca/dp/B0DWC4LGCL

Thanks, too, for your support. I hope you enjoy the novel and tell all your friends. And if you dislike it, I hope you’ll tell the world. To help you with that, the Goodreads review site is at the URL below here.

https://www.goodreads.com/book/show/227753325-a-whippoorwill-called

Thanks for sharing your opinion. I look forward to your review.

Until next time, thanks for being here, and for sharing this with anyone who might like to read it.

TFP

February 15, 2025

The simple rule.

Anyway, I’ve returned to staring into the abyss. Beyond that, as I’ve told you before, your guess is often as good as mine.

Except for one thing.

Hello and welcome, reader.

As always, it’s my pleasure to have you join me here.

Early this morning, as I began this last entry of 2024 for The Practice, snow fell like alabaster down onto the barren Alberta hills surrounding Pajama Flats. By the time I finished what passes for work in these parts, the once threatening countryside wore a certain fat man’s beard of white. And with the season’s signal given, even the world’s most resolute outsider must, once again, for a short while, give up his denial. So, though not a celebrant, I send best wishes for the coming holidays, and for a healthy and happy new year to you and yours.

Since last we met, I’ve resumed work on my latest manuscript, and, as a result, have returned to what passes for sanity in these parts. As usual, when referencing myself, of course, I must use what some might call a liberal interpretation of the term. Which, I will admit, may or may not adhere to the medical criteria required to, in the eyes of a pro, let’s say, earn the citation.

My guess is that’s life for a responsible individual. But I could be wrong, too. It has happened before, after all. Though not as often as I like to make out in print.

Around here, I call that keeping my ego in check. Nor am I breaking out the history books to confirm anything, be they rumour or otherwise, either. Let’s just say there’s plenty I don’t explain. As, likewise, there’s far more I won’t forget.

How was that for a little secret agent irony at arm’s length?

Anyway, I’ve returned to staring into the abyss. Beyond that, as I’ve told you before, your guess is often as good as mine.

Except for one thing.

Because, as a writer of fiction, I follow a simple rule, and only one. It’s ever been the same, too. But it struck me the other day, for the first time that I can recall, that I’ve not written about the silly thing. So, to make things plain, and to say thanks for sticking around, too, I’m sharing it with you.

I know, I know. It breaks the local secret agent’s code. I will regret it, I’m sure. If not today… you know the rest.

By now, you’ve learned I don’t toss around words such as posterity, either. But we can use it this one time, as a label, if you want, to make this stuff easier to understand. See, the fact is, I’ve always known the people I care for most can also read. So, that I waited quite a long while to share my stories is more than coincidence.

There are other reasons, better ones, too, maybe, besides those, as well. So, for today’s practice, we’ll deal with a few.

Right about here, for many, I’m told, is where things go sideways. Of course, for others, the whole deal is a miasma built on madness. Anyway, after this, what the charitable call weird, if being nice, intrudes upon our conversation. I’ve heard it takes, at least, an open mind to handle what comes next.

Best of luck with that.

Most times, I pass this stuff off by saying ‘art is subjective’ or something near as oblique and just about as meaningless. And, lucky for me, it’s not that I’m overwhelmed with such queries, either. That’s because here, as the man warned so long ago, we nowadays work without applause.

Well, that’s more luck, too, because I prefer it this way. Not just because I’m anti-social, either. Though, if truth be told, I’m not much for crowds. But that’s not the reason. No. It’s because my process works best the more time I spend alone.

The above confession surprises none that know me well.

And, once again, like clockwork, I digress. So, let’s get back on track.

Now, I’ll start by telling you that this month’s story reveals at least one fact. Too bad, so sad, for both of us, what it also shows is that I’m not much good at writing short stories. Thus, once again, I must ask that you endeavour to persevere, reader, despite my shortcomings.

I promise to do my best to make it worth your while.

Here we go.

By the time my father passed, and I returned to his remote spread in the postal district of Harwill, Manitoba, where I had spent my boyhood, I was thirty and had lived in more else where’s than I can now recall, for half my life. There, among the lingering remnants of my childhood dreams, for the first time in several years, I was alone.

In the literal, as well as the metaphorical, sense. Because the closest neighbours were miles away, and I lived with only the ranch animals for company. For long weeks, among fallen leaves and barren fields, grief was my close companion.

But, instead of surrounding me, the wilderness near at once made a home for itself in my psyche. While, with little thought, I returned to the daily grind of feeding, watering, caring for, and cleaning up after the horses in the stable and those in the pasture. Learned as a boy, my father’s careful lessons kept all of us alive, despite the lengthy time and experience since last I had used them.

There, in the crisp silence of falling snow, I will admit to sometimes hearing his voice.

Whether splitting wood or carrying water or shoveling shit or making a fire or fixing a pot of coffee, in my head, he showed me, once again, not just what to do, but how to do it. In that way, after a while, I recalled the why that drove me.

But my solitude didn’t last.

For in the years I was gone, they built a gravel road leading to the front gate of the place. Though nothing to write home about, it was solid enough for a pickup truck with an experienced hand at the wheel to manage the trip at least three seasons out of four. Which, compared to my childhood, was a shocking improvement.

Six weeks after the funeral, when the freeze had set in well enough to make the loose gravel a relative delight, a cousin, a few years older than me, who was once a good friend, visited. I can’t speak for the old ballplayer, but our visit was for me, at least, unsettling.

A white Christmas was on the way, and six inches of snow covered the fields when I saw a blue truck clear the ridge a quarter mile away from my dad’s front gate. It was a Sunday, and not yet noon, and I had finished my chores early, hoping to spend a few hours reading by daylight.

Even seated at the kitchen table next to the big window, by that date on the calendar, I needed the gas lamp to see inside the low-pitched cabin by four o’clock in the afternoon.

And though I didn’t know who owned the approaching truck, I figured it meant the end of my reading plans. Near at once, I caught myself hoping it wasn’t more sad news come to visit. With a shake of my head, I banished the worthless thought.

For by then, I had figured out that life was what I made it.

Instead, I turned away from the window and, crossing the kitchen in a couple of steps, went to the cast iron cookstove and moved the full kettle into the heat. I emptied the remains of yesterday’s tea into the slop pail next to the stove. After rinsing it with fresh well-water from a nearby steel bucket, I set the tin pot on the warming rack to await fresh leaves and boiling water.

Just then, there was a knock on the two-room cabin’s front door, and I went to greet my guest.

“I don’t know how you can stand it,” he said.

Across the wooden table from him, I grinned before replying. We sat in straight-backed chairs and drank strong black tea with plenty of white sugar. The fading sun now hung low in the eastern sky behind the cabin, and ghost-like shadows of tall bare poplar trees stretched across the yard in front of the kitchen window.

“To me, it’s like a holiday, I guess.”

We spent the previous hours catching up and renewing the bond of family and friendship that had once made us close. It was a chance to appreciate Einstein’s relativity, too, as the hours passed in what seemed, later, like only minutes.

He shook his head, slow, before speaking.

“But for real,” he said, “doesn’t it drive you crazy? Alone out here, like this, all the time? I’m telling you; it’d make me insane!”

This time, I chuckled. He spoke again before I could reply.

“I mean, christ, isn’t that why you left this god forsaken place?”

That one got me, and I laughed out loud. He joined me.

“No offense to your old man, either,” he said, “because I loved him, and you know that.”

I nodded.

“He did, you, too, pard.”

It was true. My dad loved his nephews and nieces as if they were his own kids. As near as I can tell, it’s a family trait.

“So,” he said, “how, and why, do you do it? Doesn’t it drive you mental? I mean, thinking about all you’re missing? You know, in the world you left behind? Like that.”

I chuckled at the misconception before answering.

“I don’t know if anyone ever leaves anything behind, pard,” I said.

For a moment, neither of us spoke.

“Fuck,” he said, “why’d you have to remind me? Ain’t we supposed to be a pair of jocks? And free of the misery of deep thoughts? You know I am, anyway, cousin, and that’s a fact.”

I grinned at him and thought a moment before answering. Beyond baseball, he was quite an accomplished athlete in his day. Nowadays, the world would celebrate him for such talent. Back then? In our time? Not so much.

But, and despite many disappointments, much like my cousin, I had done okay, too. In truth, for a couple of dirt poor half-breed boys from the middle of nowhere, starting with nothing, we made out alright. That’s how I see it now, anyway.

“If only it were so,” I said, “for either of us.”

He sipped from the mug in front of him, and I did the same from mine. The sweet black tea left a bitter aftertaste. Like memories, I thought. Then, to keep from slipping off into useless melancholy, I reached once more for the cup on the table in front of me, and in a single gulp, drained it.

“You ready for a fresh one?”

“Don’t mind if I do,” he said, “but after that I gotta hit it, okay?”

I nodded to him but said nothing while filling our cups from the steaming tea pot. Not too many months later, the way was clear enough for me to once again see it. Soon after, it was time to leave my boyhood home.

And though we didn’t know it then, the loose talk and strong tea enjoyed through that winter afternoon would be the last we shared.

The rest, as we say, is history.

For as I write this, more than thirty years have passed since I left home for the last time and devoted my life to this work of mine.

The truth of the work I’ve done to date, meanwhile, is that I’ve shown little concern for story arcs and archetypes and hero’s journeys and bullshit like that. Yes, I believe that stuff is bullshit. To be specific, we call crap such as that ‘content’ and I don’t make it. What I’ve spent my life doing is art. So if you’re looking for a cheap thrill, or somebody trying to make a buck, or to escape from life and its brutal indifference, you’ve come to the wrong place.

Here, we soak ourselves in it.

It goes this way.

First, I believe that the power of artistic insight, when applied to our shared condition as people here on earth, relies on perspective. Second, I believe that perspective, to best reflect what we share, most needs time. Third, I accept that time is an aspect of nature applied at random to what we call shared reality, but impossible to either separate or experience apart from it.

The art of writing, then, as I practice it, is, at best, a paradox. For science tells us spacetime is a continuum, rather than an aimless arrow speeding toward an unknown destiny. Thus, in a sense, what happened either is, or could be, still happening. And my thing, if you recall, is showing how it was. Not a thing more. Of course, no less, either, when it’s done well.

How’s that for irony?

Too damned close for comfort, if you ask me. Likewise, too, in such a light, at worst, my practice amounts to little beyond obscure history. Despite its author claiming a seat at the artist’s table.

Before writing me off, though, allow me to at last share what brought us here today. You know, the simple rule. Which, again according to nobody aside from me, if one adheres to it, leads, through repeated failure, to ultimate success.

So, for the record, here you go. The simple rule of my fiction is: if writing it doesn’t make me cry, it’s not good enough for anyone else to read.

Now, the part about ultimate success is, as of this writing, pure conjecture. In fact, all I have for evidence is the work I’ve so far done. That, and the hope one day I’ll make my masterpiece.

Beyond that, as near as I can tell, the only way for me to reach the afore mentioned and lofty goal is by using irony to keep reality at arm’s length. Though as I told you before, it could be I’m wrong, too. I mean, it has happened before, if what I’ve heard is true.

Anyway, by now, I’m sure enough that’s okay, too. Because in these parts, I accept the simple rule as a fact of this writer’s life. And that makes every other thing alright, no matter how much, or even if, I do or don’t like it.

Thus, from here on, reader, you’re free to call me a crybaby. Go ahead. I won’t deny it. After all, if you want to call yourself an artist, you’d best be ready to suffer for your art.

And, with that questionable bon mot, the latest fiction ends.

Likewise, what passes for literary insight in these parts wraps up, too, for at least a while. As usual, I hope you’ve enjoyed whatever this was, and that I’ve left you with more questions than answers.

Until next time, thanks for being here, and for sharing this with anyone who might want to read it.

– TFP

December 14, 2024