Long shots.

That makes two things inevitable. One; accepting you can’t know what you don’t. And two: not making things up to compensate for your shortcomings.

Whether what’s leftover aligns with either popular or personal tastes isn’t up to the writer.

Hello and welcome, reader.

As ever, it’s my pleasure to have you join me here.

Though I must tell you that, because the server doesn’t track it, I can’t tell if anyone ever visits the website. Or, like my books, even reads these damned things.

I mean, because of recent spam attacks, I’ve now had to turn off comments, here. Which, though rare, I also much appreciated.

If only to confirm that the website is, in fact, up and running.

Likewise, while nowadays living and working according to a series of strict and careful plans, I still prefer the winds of chance decide the fate of me and my work.

And if that’s not irony, then I don’t get it.

Truth is, I had a friend who claimed Harwill was most adept at avoiding success. Well, I didn’t deny it to him or anyone else. There’s only so much of that shit a man can stand before it makes a mess of him, after all.

In no time, he’s either a practicing addict or a fat man in a tailored suit.

Either way, he devotes himself to bending the world to his will. While destroying anything and everyone that gets close to him.

And yes, that’s again the voice of experience talking.

It’s always worth recalling, too, how I speak only for myself, and limit myself to experience, besides. You should beware, as well, that I didn’t get into this racket to make either friends or money.

See, I’ve always known everything is most okay if few other than me likes what I do. That’s because I’m not doing it for approval. I’m doing this because I can’t not do it.

From any other perspective, it makes little objective sense. I know that, too.

I have, after all, spent most years of this life doing my thing for an audience. From my early days in the ring through all the decades of touring as Harwill, the roar of a crowd fuelled the pursuit of my dreams.

For some, that becomes an addiction. Well, to me, it’s always been more of a nightmare made necessary by survival.

Because chasing the dream of authoring even a single great novel is a literal pursuit. It’s not some romantic notion. Such a writer must move himself despite the world’s desire to hold him close. No matter the comforts found only in either private or popular embrace.

Disco inferno. I learn by suffering. So, burn baby, burn. That also means if you’re seeking comfort and wealth, you’ve found the wrong line.

A good friend long ago taught me how those things are byproducts. While work of lasting value is that which honours the people with whom one lived.

To me, that’s always what a writer must seek. After survival, that is. To endure, after all, is the writer’s first chore.

Likewise, though a man trains for its own sake, it’s only the ever-present threat of posterity which adds tension to a writer’s practice.

No matter the subject to which his muse might lead.

If that’s not the case, you’re jacking off. And, despite recent social media claims, that’s best kept private.

The great concern, of course, is that one day, someone might read the work.

Thus, a man needs be a harsh judge with himself. While, likewise, a writer must demand not only the truth, but a readable picture of it, from himself.

That makes two things inevitable. One; accepting you can’t know what you don’t. And two: not making things up to compensate for your shortcomings.

Whether what’s leftover aligns with either popular or personal tastes isn’t up to the writer.

Anyway, I’m sharing yet another funny story with you this time. Even if, as often turns out, I’m one of a precious few that thinks it so.

Well, lucky for both of us, it’s a short one.

See, last month, while dealing with early fallout caused by my latest flop, I realized the entire affair was taking place without much of an audience.

That’s despite a crippling bout of angst, before it published, too, by the way.

Talk about putting a cart before the horse’s arse! Poor little rich boy? What? Again? How’s that for a story?

Anyway, despite a strong start, A Whippoorwill Called has yet to make the leap from hot new release to national bestseller.

And did I tell you the one about keeping results at arm’s length?

Well, rest assured, I care about such things. I do. Far more than you might imagine. Too bad if knowing that shatters your illusions.

So, don’t let the lackadaisical marketing of my novels fool you. That’s a result of limited resource, not desire. Because I wouldn’t publish a word if I didn’t want it read by the whole damned world.

I sure don’t publish them to protest placing the demands of profit above the writer, either. As few know better, the terrible price of business failure.

My respect for the world’s few remaining publishers is therefore immense.

Anyway, despite the fiscal limits faced by every small shop, the underdog role has always appealed to me. Which is lucky, for one born on the wrong side of the tracks.

Besides, the truth is long shots come in all the time. Likewise, luck is a thing which happens when preparation meets opportunity. That, my friends, is why we play the games.

It’s also why most things are always within reach of all people. Both experience and books taught me that. In the same order, too, as near as I can tell.

That’s what I tell the owners of Solitary Press when explaining the failure of a novel to make the leap to the bestseller’s list. You know, while begging for a little more time to finish the next manuscript and take another shot.

For as usual, in these parts, we endeavour most to persevere.

So, until my luck shows up, I’m sticking with hard work and dedication.

Maybe that’s why I owe my greatest debt as a writer to Raymond Chandler, too. That’s how I see things, anyway.

Because I grounded what some call my matter-of-fact prose style in the hard-boiled detective novels he wrote in the thirties and forties. I first read them while still a boy.

School introduced me to many other novel writing giants, of course. In my day, we studied works by Conrad, Fitzgerald, Hemingway, and Steinbeck, among others. In time, I came to admire and appreciate their genius, too.

Years later, I read many of those same writers again, for pleasure, while living on the road. But I also reread many of Chandler’s detective novels. To my surprise, I enjoyed reading all of them as much again, if not more, than I had when doing it the first time.

For they had reassured me.

I understood something else, at last, too. What I had sought was to reflect the people and the times in which I lived. In a style both readable and unique to myself. Nothing else had ever mattered more to me than that.

For there live the immortals.

In their own way, each of those writers had done it. So too, then, must I.

The years of misery and privation were in pursuit of little more than one confounding, but simple goal. Despite a search of imposing length, as yet I haven’t found a better why to explain all this.

So, blame me for the literary aspirations. Likewise, blame the attempt to reflect our times using a minimalist and episodic vibe on me, too. I wanted most to combine the simple with the complex and make something just as good no matter how you came at it.

After all, there’s always more between the lines than meets the eye. You know, c’est la vie. Its theme is more often found in an oblique reference or a recurring motif than revealed by a direct statement.

Not only that, but books don’t come with instructions. Though all of them must make pictures appear in a reader’s head using nothing but words on a page.

While also delivering a message from an unknown to the anonymous.

The best of them somehow take you somewhere, too. No matter how many times you might read them. Most times, it’s to places you couldn’t have gone, while doing things you wouldn’t ever be able to do.

And, far more often than that, you’d rather imagine such things than live through them.

Well, that’s what I call magic. I found it there, between the pages of a book, when just a boy, living in a wilderness. Not much later, I made a deal with myself to devote my life to making more of it.

Since then, I’ve done my best to keep that promise.

For me, that’s enough.

Because I found my way, thanks to novels written by writers who died before I was born. And though we won’t ever meet, I hope to return their favour by doing the same for a writer I’ll never know.

To see how it’s going, click the cover embedded below here and enjoy a free sample.

So ends the latest rumination.

Before wrapping this one up, though, I must send a serious message. It’s for everyone who has ever bought one of my novels. Thank you. Your continued support makes it possible for me to keep writing. And that means more to me than most anything else, outside of family.

So, here, as well as there, I practice hoping to get better, so you can look forward to reading the next one. While I work at authoring more stories about forgotten people in obscure places who struggled for survival, and sometimes toward some dream of salvation, in our times.

I’m forever honoured to share these stories.

Until we meet again, thanks for being here, and for sharing this with anyone who might like to read it.

TFP

May 31, 2025

The mythical summits.

Likewise, there’s little but bullshit to writer’s block. Oh, sure, there’re plenty of fears. And even more second guessing. Because knowing you’re forever defined by what you’ve written, for better or worse, is the only true story.

Hello and welcome, reader.

As always, it’s my pleasure to have you join me here.

Once again, I chose practice over pulling the hair, one at a time, from my head today. And have I said anything in the recent past about the cathartic effects of this terrible habit?

Well, if not, there you go. Were it me, I’d pat myself on the back for helping save what passes for a writer’s sanity, after reading this. And no, I didn’t name this page ‘The Practice’ by accident, either.

So, let’s get on with the show.

Did you see what I did last time out?

I call my prose style irony at arm’s length. And my guess is those who get it, do. There’s little point worrying over those who don’t.

Art is subjective, after all, be it literary, or otherwise.

Not only that, but for a writer, it’s either there or not. In the hands, I mean. If talent lives there, when you touch a pen or tap the keys, stuff comes out. That’s a gift. Near as I can tell, granted by luck of the genetic draw.

The rest, all you make from it, the clarity, grammar, style, blah, blah, is practice.

That’s also why the elder Sam Clemons told a younger Bruce Munro it was pointless for most writers to try writing novels until they were past thirty. Because, until you’ve been around long enough to see a few things, there’s little a writer can say. Of much interest to anyone but themselves, that is.

Here, I’ve always made what I like and shared the results. That’s the source of the weird label attached to me, and the stuff I make, too. You know, taste? No accounting for same? Viv la difference? Anyway, around here, what happens after I’ve written something must ever be of the least concern.

Because, well, art. Beyond that, integrity. See, a writer, like a man, needs a code, and when he adopts one, he’s bound to live by those terms.

And don’t worry, because the gig gets simpler once you learn to be is to do and vice versa. From there, get to work and forget about anything not important to one or the other.

Though I must say I enjoy few things more than when people show they’re picking up on what I’m putting down and buy my books. My banker likes that, too. Maybe even more than me.

But if you don’t have the stuff in your hands, well, then it’s not possible to either do or be. No matter how bad one might want it.

Because talent is an exception, not a rule.

In that way, talent is much like experience. When you have it, you know it, and everyone else does, too. And when you don’t, it’s impossible to hide.

Anyway, here, we don’t deny, for either better or worse, that perspective is based on where one stands. Be it now or then.

But having the luck to endure means bypassing the fond reviews of nostalgia. As a life reflected by the past isn’t just lucrative, it’s fixed.

Likewise, life is longest after a gold rush. Though without guarantees. So, that’s why I say the world, and life itself, far more than me, loves the irony.

What helps, in these parts, is a willingness to embrace my obsessions. Again, for better and worse, depending on perspective.

Lucky for me, art is nothing, if not individual. It’s an undying compulsion, too. But those who can’t deny this want must accept the deprivation that often comes with making it. Either that or quit.

After all, the world still needs ditch diggers more than writers. That’s what I’ve been told, anyway, and many times, too.

Besides, there’s something those who make stuff up won’t ever understand.

It’s a thing of great import to a writer. And those who want to be, as well. Because there’s an emptiness that comes with accomplishing a work. From which there’s no return. Once you get there, staring back, in profound silence, waits only the abyss.

From whose endless inanimate void whispers, too late, a warning. Of how the more you know, the more that remains to be known, and how most of that is forever beyond your ignorant writer’s grasp. Until, at last, emerges this heartless truth: all is vanity.

Imagination or song of the infinite? The choice is yours.

Likewise, there’s little but bullshit to writer’s block. Oh, sure, there’re plenty of fears. And even more second guessing. Because knowing you’re forever defined by what you’ve written, for better or worse, is the only true story.

That’s a secret you’d like to know earlier, too. I sure would’ve, anyway. Because it’s of little use after the fact.

Oh well. And there you go. Do with that what you will.

Here, we have published a new novel. In a few weeks, it’s available worldwide on Amazon. And the usual response to that, from these parts, is underway. At such times, my old man would say I was crazy as a shithouse rat.

He’d be right when he did, too. Like he was many times about his eldest son.

That’s also when, I say, a writer needs criteria. If hanging onto what passes for sanity is a goal, anyway. For both sets of results, too.

Because, in either case, there’s something to manage, said the voice of experience. Though I’ll say the one is easier to deal with than the other, all the same.

I mean, if you’re wondering, failure draws less of a crowd.

But coming off a win, even a relative one, is a scary proposition. And doing this means working without a net. Every single time. After all, in truth, the artist is the product, and likewise.

So, a well-developed sense of detachment from one’s work is a necessity. For without that, the whims of a crowd, no matter its size, soon replace the muse. And, from there, it’s but a short step to life as a caricature.

Thus, for this writer, I must separate the work from the man making it.

Even after decades of pulling it off, that one remains, for me, the most important trick this racket asks me to perform.

For though I am what I do, and what I have done is doubtless that which made me, there remains a distinction between one and the other. I won’t deny my better self, most times, lives in the works I’ve made, either.

I know that to be a fact. You should accept it, too. Because I write fiction.

My pursuit of the recluse’s lifestyle, meanwhile, is driven by a need to separate the writer from his subject. And, despite what I just told you about fiction, that too is a fact.

Or, at worst, the point of today’s practice.

Anyway, if I wasn’t looking to be judged, I’d have stayed on the farm. So, once again, here we sit, to wait on arrival of the latest words about our latest words.

Because there’s no sense in my denying that falling off the side of a mountain is worse with an audience. No matter how sympathetic.

What confounds me is an inability to stop climbing the damned things. After all, clouds of lingering reluctance have ever hidden their mythical summits from these eyes. Despite the near endless claims of seeking for them.

How’s that for irony?

From here, it sure looks like life can’t get enough of the stuff.

Of course, detachment could be an art form, too, and I haven’t yet figured that out. I mean, you can’t ever know how stupid you are. I read that somewhere, and it makes sense. Though, around here, it often looks like I’m just smart enough to figure out I’m not.

Anyway, I’m no Balzac, either, but brother Kenny Holmes always said a gig is a gig. I figure he had that near enough to right back then, and still does, too. And did I say to be is to dobedobedo? Or something much like that?

Well, to fans of irony, and me, too, it’s theatre of the absurd. And what I hope most is the curtain doesn’t fall anytime soon.

Because I still haven’t figured out the danged plot.

And thus ends the latest rumination. Or would calling this one fiction be a better fit? What about claiming it as literary insight? As usual, I’ll leave that to you.

Now, for the big news, which I’m thrilled to share.

So, join me in welcoming my eighth novel ‘A Whippoorwill Called’ available worldwide Tuesday, April 15th, 2025, on Amazon. It’s a pleasure to share this one with you, and I believe fans of good storytelling will enjoy the tale of Charly and Jed Bedford. For a sneak-peak, click the URL below here.

https://www.amazon.ca/dp/B0DWC4LGCL

Thanks, too, for your support. I hope you enjoy the novel and tell all your friends. And if you dislike it, I hope you’ll tell the world. To help you with that, the Goodreads review site is at the URL below here.

https://www.goodreads.com/book/show/227753325-a-whippoorwill-called

Thanks for sharing your opinion. I look forward to your review.

Until next time, thanks for being here, and for sharing this with anyone who might like to read it.

TFP

February 15, 2025